Originally posted by Kaby:Just added: "Sharpen Normal" Video FX, and got pixels after rendering. If you want more bit rate, try Sony AVC\MVC. Some of the Main Concept Templates can do over 100 Mbps ( way too much ). Most Factory blu-ray movies are made at 25 Mbps. ( if i was playing with\testing render settings ). i know i will haveĪ bad looking rendered file. When the viewer window looks bad, during rendering. Viewer window, during rendering, should have looked bad too ( a heads up, so to speak ) If the rendered file looks bad, then the How do the Sample screens look in the viewer, during rendering ? "View Window" with "Simulate Aspect Ratio" ONĭoes your imported video look good in the Viewer, while on the Time Line ? "View Window" settings do NOT affect render quality, i use Preview->Auto m2ts Sony AVC\MVC at 16 Mbps 1080 ( has always been real good ) "Follow Project settings", to "Follow\use" that "Best" setting ) ( in the Render Templates, the "System Tab" has a By the way, the zebra pattern marks you can see, e.g.Here is how i do it. It looks like its drooping slightly in my picture - but that's just the wide angle effect on the old Sony P100 that I took these quick close up snaps on. As with the smaller battery it is a very slightly loose fit (and I mean very - I'm being picky here) rather than a snug tight fit that I would prefer but I guess that's just the way they designed them. Need to fully charge it now before first use and then we'll get an idea of just how long it'll keep the TM900 going (although I have to say I've been pretty impressed so far with the TM900's longevity even with the little supplied battery). Some quick pictures of it on the little baby below showing the viewfinder in both positions. It is a genuine Panasonic VW-VBN260E-K, made in China. Big is a relative term as, like the camera, it's still tiny! My big battery has just arrived from the Bristol area camera shop that I bought it from (£89 plus £10 next day postage here in the UK). If want to render out 30p in a 60i container, then you need to undersample so vegas only has 30 frames per second to pull from and therefore will pull the two fields from the same progressive frame. Disable resample keeps the two frames from blending when rendering to a progressive format, but when rendering to an interlaced format, it doesn't keep vegas from pulling half the fields from every frame. So this tells me there is a difference between the two. 5 (30fps) and re-rendered, the artifacts in DVDA disc preview disappeared. Going back into vegas, i noticed that the tm700 clips had resample disabled, but no undersampling. I'm not sure if the "Best" setting simulates an interlaced display or what, but the other quality modes did not show the artifacts. I was was authoring a multicam live music performance in DVDArchitect (Blue Ray Disc), and noticed that when previewing the disc ("Best" quality setting) the footage from the 2 canon 30p cameras looked fine, while the tm700 60p shots had interlacing artifacts (viewed on the computer screen). I just stumbled upon something interesting with this. 5, leave at 1 and just select disable resample in clip properties. In Sony Vegas, no need to set undersampling to.
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